Sunday, December 11, 2011
please, believe me, I'm trying...
Desperation had me on my knees as I grieved like a baby.
I was a grown up in the conversation, thanking him for his honesty.. but I was pissed as hell and convinced that I wasn't good enough.
Forget intent, forget reversed psychology, forget encouragement... I was told that how I've been functioning my whole life may keep me from doing what I want to for a living.
I am guarded. Why I am so, is not really the concern.. it is getting rid of it that matters... at least for stage purposes. And it is not that I don't feel... It's just I do not naturally emote... I don't react. So experiencing and being in the moment is hard for me. I've been trained representation acting by chance..But more importantly, because I am new at this whole acting thing... I don't know how to get there. or where to go.
So of course I went to the CTCenter... which was by far NOT HELPFUL. If anything she brought to my attention that I've never taken an acting class before and so I may not used to be feeling so much like this. (because if I fail to emote emotion in the class, I leave class feeling the emotion therefore enduring painful memories the rest of the day). By God, that was a relief... because I was convinced I was depressed. But the whole reliving childhood moments and substituting situations for others was draining.
After a week of total desperation and gloom... I feel like I had a breakthrough. Many were telling me to go to my vulnerable state... tag that feeling and begin the piece there... and that it may be scary... but trust and say yes...
but it's not scary. I've just never been there... I didn't know how deep to go... where to go... how to express it in my body and in my face... so I need practice. I need practice being vulnerable in front of an audience ... and being comfortable.
It was just such a relief to discover that I'm not scared, or I'm so guarded that I can't let myself... but instead... I just need practice.
My desperation disappeared and motivated me.
But who knew that it takes someone telling you that you may not be good enough to realize how bad you want to do something for the rest of your life?
Improvements and growth is what I strive for.
Thursday, November 24, 2011
Thanks for Hula Hoops
One of my biggest obstacles lately has been my gremlin saying "but that's not you" or "but you couldn't ever stick to that." And I do honestly believe sometimes that truly applies. Like I've never been able to do a cartwheel and quite frankly, i don't think I ever will! Haha, but the little things- like changing my lifestyle, becoming a runner, doing yoga, eating/cooking healthy, being spontaneous, being a book worm, being well educated, becoming a dancer... Those things I should be able to do.
On top of my gremlin nagging me, my acting classes have brought it to my attention that I'm pretty depressed. Not only is it genetic, its also because I dont like growing up. And Kelly is kicking my butt. I've spent so many years guarding my emotions and remaining composed that I can't share my vulnerability with an audience yet. I love Kelly for pushing me but most days I leave her class and just cry. I get so frustrated with myself and wish I could just feel things in front of people! It is so depressing that I am very numb in a public setting and I just can't be. After some time of this I was considering directing or vocal performance since my acting skills were discouraging me.. (thats how intense my frustration is) but then I remembered something and its all thanks to this wonderful fall recess.
When I was in elementary school three friends of mine would come over and we would hang out in my basement. We would do various activities like rollerblading, basketball, dancing, and even ab workouts! One day we discovered the hula hoop. Sharee was the best out of all of us- being a gymnist and such, Sheighle was second best, Nicole was okay but sports were more her thing, and i was the worst. I had never tried hula hooping before so of course I was the worse but it still bothered me... And without realizing it, I became better because i continued to hula hoop all the time in my basement by myself. It became fun for me and I got really good. I don't remember if my friends and i ever hula hooped together again but i worked my butt off to get good! I literally taught myself how to hula hoop with the motivation focusing on me.
I realized today how people put these mental walls up about what is possible and what is not... But as a child- i didn't. I'm trying to return to that mentality of spending time with myself in my parents basement crafting whatever project I am on... Because i hate feeling limited, and grownup, too busy, too defined, and stupid expectations. I want to continue recreating myself every day and every night into the person that I am and who I want to be... Not what soceity expects me to be.
Saturday, September 17, 2011
Egos
I hate singers.
Their egos.
Their judgements.
Their smugness about everything.
The need to comment on everything.
Tell you how to improve something but then when they get up and sing... they can't take their own advice that they so willingly give.
And I know this is pretty ironic since I don't consider myself an actor... I'm still technically a vocalist.
But I refuse to conform to the norm of a singer.
I don't care that they're blunt. And I love how disciplined most are.
But fuck the divas.
Kelly Quinnett is my 305 Intermediate Acting professor.
She is the shit.
Essentially the exercise she did with the choir was one we do in our class.
The exercise she chose to do is the same one I described to Jason and he nearly crapped himself muttering, "I could never do that..." Well he had too. Haha, and he did.
The exercise focused on intimacy.. no not having sex... but being vulnerable with a perfect stranger... and embracing it. We all stand in a circle and open ourselves to one another.. and then everyone... and then the whole room. Then, Kelly goes around the circle and when she touches your back to walk instinctively across the circle to someone who will be your partner.
This is done without talking and once you choose your partner, or they choose you, you continue to make eye contact throughout the rest of the exercise and join hands. Kelly then instructs you to find a place on the floor and sit as close to your partner as you can. After a few moments or explaining the next step, Kelly designates who is the Giver and who is the Receiver.
So I was really nervous doing this in Vandaleers. Which surprised me because I've been doing this in class with Kelly for the past week or so... but here I was scared.
I realized the egos scared me. I don't have one and I never will. I refuse too. As we were standing in our circle opening our hearts to the room there were people who has these looks on their faces like "fff this!" or "what the heck?!" and my heart literally sank. For this exercise to work.. you must be in communion with your partner and trust one another. If my partner doesn't meet me halfway.. how can I dive into this exercise? What if they judge me and talk crap saying, "Gosh, Meredith was so awkward... did you see how IN TO it she was?"
However, something Kelly said got me to relax.
Beyond their egos is a human being underneath. A real loving sharing vulnerable human being who uses the stupid ego and diva-ness to protect themselves from getting hurt... from being too vulnerable.. from being rejected... their fear creates these defense mechanisms.
"We aren't hardwired to be assholes. We aren't! We are hardwired to be loving creatures. It is embedded in us, it is in our nature, to love and to want to be loved and to care for one another. Society created this bull-shit idea of how we are supposed to act and how to protect ourselves. Protect ourselves from other human beings? Who just want to be loved too? Society created this and you are all just planning the game."
When I go to Kelly's class, society cease to exist. We just all are human beings who are in touch with ourselves, our emotions, and our needs. Since I joined the class late.. I don't even know all of my classmates names but yet... I feel comfortable holding them, loving them, and watching them cry.
Did I mention Kelly is intense?
After Kelly spoke to me, I was able to be in communion with my partner. Kelly said blackout... lights up... and our play of comfort began. ..Which I was worried about because he seemed really hesitant about the exercise. However, by the end of the exercise he was crying on my shoulder so I'm assuming he felt our connection was as strong as I think it was. :)
Saturday, August 13, 2011
an afterthought...
Because if spiders were humans... I'd be serial killer
Remote control, toliet plunger, shoe, flip flop, dvd case, and air freshener spray... New creative tactics everyday!
Have no mercy for the hobos... Ive killed six around my bed already or booking underneath my bed. And weve only lived here two weeks... Getting ready to posion their entrances, set up traps, and plaster holes in the house.... Have no mercy for the MFers!!!
a certain element of surprise...
The best metaphor is as follows:
Before digital cameras were widely spread, and i was finally old enough to be trusted with a camera all by myself, I would spend a good deal of time taking pictures of friends and my cats. Sometimes letting a friend take shots of me. If you know me well... These were thought out pictures and somewhat artistic. Once again, back in those days it was cheaper to wait almost a full week to develop a roll of film (unles you did it yourself of course).
From the moment i sealed the roll of film in its package and sliped it into the box to the moment i returned to the store... There is that time period where I was left to envision what is to come and reflect on the pictures i took and hopefully what the end product will be.
I dont know if other minds function like mine, but i tend to stretch my imagination and forget such flaws because of the intense excitement for the day when my masterpiece is revealed. Even though I have ants in pants to see the photos i love the time to anticipate, fantasize, and dream about these photos potential. And no matter if i hate the pictures or absolutely love them, the day i open my finished product that feeling that i enjoy so much dissipates.
The first time I ever felt this feeling was about a boy. I had a crush on him for a good three years before I ever made an advance. I knew him from theatre and he was from a different town and older. To make a long story short- we both confessed our crushes to one another but nothing happened. I remember the night when i knew things had fizzled out... I was sleeping on my best friends trampoline in a sleeping bag literally waiting for a shooting star to wish upon. THAT element of surprise was gone and i knew the end result.. We werent going to happen. Lucky for me, two months later he came out of the closet and weve been best friends even since. Even miles away (he now working for Tommy Hilfiger in New York, NY) I still consider him a close friend and miss him dearly now that ive returned to our childhood theatre troupe.
Anyway, to get us back on track... Ive welcomed this surprise/anticipation feeling again but by a different source.
I have callbacks this Sunday for Meet Mein St. Louis. Originally there was no way in hell I wanted to do it.. With school and work, i didnt want to try. (In fact, i thought they were last Sunday... And i just skipped! Lol). I even prepared a list to give my director: 1. School, 2. Work, 3. I need to take acting classes- i dot want to be a risk and limit my characters potential, 4. Im already teaching voice lessons for the theater, 5. Gas... The theater is in Pullman, i live in Moscow! 6. Lastly, but pretty important- i dont want to be that one reoccurring face in recent shows and since Im Daddy Warbucks secretary in the current show, people will recognize me.
Now, barely a week later and i've watched the movie three nights in a row and an additional time with commentary. Even worse, I have my heart set on a specific character when Im actually called back for two. I have even started to get territorial even though I know that the casting (if it doesnt please me) wont kill me! Im a big girl now and i can take rejection. Im just having the time of my life imagining what itd be like to be Esther Smith at 3151 Kenzington Avenue.
But it gets juicier.
Jason is called back for the boy next door. (aka Mr. John Truitt). Actually, he's called back for both boyfriends opposite the roles i am called back for. Which is super exciting and intensifying this feeling. Which drives me bonkers with anticipation.
The downfall is I think height is against Jason and I... And i seem to be taller than most of the Roses who are called back and Esther is younger than Rose. Just as well, the partner of the director keeps calling Jason the boy next door... Which places me respectfully as Rose. (if height matters). Even if Jason and I are opposite other actors I think it will be fun and defintely a growing experience.
Ironically, I think I'll have a hard time swallowing the news of someone else being Esther... Becuase her songs are to die for!!
And yes, it will be hard to watch Jason kissing someone else... But it will be hard because i really care about him. Which is another fulfilling emotion. I also have learned from experience to stay in the scene and not identify with the character as "my boyfriend" and jealousy doesnt seep in. However, Jason will not have an easy time with that situation.
But alas... I will indulge in this dream world of possibilities until the casting is posted. Regardless, life will go on... But until then I will imagine my ideal casting.
Sunday, July 10, 2011
Disclaimer
Warm regards.
Summer Realization No. 5-
I have lived in Moscow the majority of my life and for the mOst part I have loved it. However, I am just now discovering a new little subculture. Deep down somewhere, I knew it was there but I didnt realize to the extent of how it functions.
The other day I went swimming with some friends at the Grove pool. For starters, I swore that i would not be in a bikini at ALL this summer until I get back in shape... But peer pressure exists and the cool water was welcoming so I bit my tongue. Had tons of fun right. So the next day Jason wanted to do it again. We went at an earlier time and holy heck when we arrived and picked out our spot I felt like Mel Gibson in What Women Want when he just begins to hear The girls thoughts and he looks like hes about to have a seizure... Yeah that was me.
I literally had to sit down and try to think for a second. You see these kinds of girls on TV making a fool of themselves or you see these lookalike jersey shore dudes ... Elsewhere. Not in Moscow. Now dont get me wrong, I am a very accepting person of all different lifestyles hut yes, i guess i do discriminate against the superficial ones. The thing is- yes, these girls are prettier than me, yes they are in really good shape, and yes they give off the impression that they are living the life.. and with what Im about to state about them one could conclude that I am jealous of them and wish to live their life. Surprise! I never could. Their priorities are out of wack. I dont spend hours a day working out because i work three jobs. Even tho my parents will help me with rent I find great pleasure and satisfaction in buying something when it is with my own money and i dont have to go running to daddy for money. I also love doing something with my life and i feel accomplished after a good week of work. And lastly, Why lay by a pool when you can swim?
I have never been the shallow superficial type. I go out in public without makeup on and even in sweat pants. Gasp. And i love it. Of course i love getting all dolled up and of course i Enjoy being a girl. But i guess my idea of beautiful isnt blonde hair, orange skin, and a vocabulary of "like" and backstabbing other girls. I coudnlt live that life so this year will be a test of my true tolerance level.
There you have it. I miss Pocatello's social atmosphere and the beautiful people who are there. Its more fitting for me then this "party-spoiled" vibe up here. I would trade all the girls at ISU, yes even the obnoxious athletes who lived below me, for all the girls up here... Because those girls are indeed more beautiful in every way. I am of course speaking of the inside...
but I am also speaking of the outside. Where is the beauty in blending in and looking like another face in the crowd? All my friends from ISu stand out in a crowd. And my sorority encouraged diversity. Everyone here looks like everyone else. Barf. At least in this subculture, by the pool.
Thursday, July 7, 2011
Summer Realization No. 4
We had this talk on a bike ride around the neighborhood, talking of a lot of serious manners for some reason, but it eventually blogging came up. Blogging doesn't necessarily bother him but he definitely doesn't understand why I do it... and as a result, if he ever catches me blogging I get a heavy sigh and a, "Blogging.... reaally?" It wasn't a problem between us but we were definitely not on the same page until our bike ride.
It turns out, I am also using this blog as an outlet to begin writing again. Since high school, my writing has been very scarce and nonexistent. And that really scares me. I love nothing more than taking the time to organize my thoughts in an eloquent matter, putting it down on paper (or in this case, typing haha), and getting the satisfaction of rereading it later.
In my junior year especially, I could sit down with a notebook and write poetry for hours... no writing blocks, no rhyming gimmicks, no problems. But now, I feel as if I have to have an enormous euphoric life changing experience and even then... grabbing a pen and writing it down will be too much work, or I lose my mojo by then.
Don't get me wrong- I have had my perks over the years to get my juices flowing... for instance with my current job I get to write a 15 to 20 minute script for my kids at camp. As limiting as that may seem, (I have to stick to either Disney or Broadway ideas), when the kids learn the blocking, their lines, the music, and perform it on the last day of camp it is just as satisfying, if not more so, than rereading my work.
I also had an Eng 100 class at ISU last spring that I ate up. I loved that class so much that I was pretty much BFF's with the professor and a year later she still remembered my name and we would chat it up whenever we saw each other on campus.
So there you have it. I' am also blogging to at least be writing something. Besides poetry, I would write more stream of consciousness pieces anyway so blogging is perfect. And that's why I began my Summer Realizations.
These pictures are my kids from the first week of camp: Adventures in Wonderland. This next week we have the last camp- Broadway, and Annie begins.
Tuesday, July 5, 2011
Something Special About Sundays
Summer Realization No. 3
This isn't really a summer realization. I realized this last summer. When I got back involved with the theater. What was I doing down at ISU? Studying just voice? I really didn't know what I was doing. I was just going to get a degree. But what was I really wanting to do with it?
It is true. You don't know how much someone, or in this case something, means to you until it's gone. And I didn't realize how much musical theatre meant to me until I went a whole year without it.
I felt like I lost sight of who I was and where I was going my first year in a half in college. I want so bad to be a performer, but not of opera or classical music... but of Broadway shows. I NEVER once wanted to be a Music Education major... the only teaching I was interested in was a private voice studio. I cannot see myself as a high school choir director or at the collegiate level. That's not where I want to be. And I love kids... but teaching choir would not make me happy.
It took me a good year to finally realize all of this. It wasn't until last summer when I was a Camp Instructor and director for the theater. I taught two weeks and one week, both morning and afternoon, were all under my instruction. This week's theme was called "Adventures in Wonderland" but instead of making it all about Alice, I tied together scenes and music from Wizard of Oz and Peter Pan. I had so much fun writing the script and casting all the children in their roles. Not to mention, I loved watching the kids grow and pick up all the theater etiquette, the music, and develop their characters. That was satisfying.
It wasn't until I returned to school in the fall when the familiar feelings washed over me. I felt limited. I was not good enough. Not in my element. I felt like I was treading water, opposed to swimming.
So that's why I transferred.
It had nothing to do with Pocatello, Idaho State, the professors... it had to do with what I wanted to do. I want to do musical theater as a career so I want my graduate degree to prepare me for that path. Alas, here I am and I'm the happiest I have been in a very long time.
Believe me, I was scared with this decision. I made leaps and bounds with my studies these past years... switching voice instructors is always a risk and really scary when things are going well. But I had opportunities waiting for me at U of I/ Moscow area and these opportunities were ones similar to what I want to do for a living. And thus far, even with new struggles with the Music Department up here, I know I have made the right decision. I'm back at the Regional Theatre of the Palouse for the second summer doing children's camps (busy, but loving it!) and I am in the upcoming production of Annie in the role of Grace, Daddy Warbuck's secretary. I'm moving in with my best friend, also a musical theater major, and I even got a real person's job that pays! Although I miss my friends and sisters like crazy-- and so far I can't stand the GREEK superficial atmosphere, I have my family here, and my kitties, and I feel at peace. Each day there is a different reminder that I did make the right decision.
"You helped me find my way
There's still so much to learn
So many dreams to earn
But even if I crash and burn ten times a day
I think I'm here to stay
I'm gonna find my way."
Tuesday, May 24, 2011
Summer Realization No. 2
Summer Realization No. 1
I suck at them sometimes. Which is hilarious because I hate miscommunications and get frustrated when they occur because I feel I communicate my message very clearly.
But now I begin to second guess.
Do I not ask enough questions? That's sort of... rude.
I am the kind of person who will tell you every little detail if you ask me. Literally word vomit on your shirt. No secrets, no hiding. As a result of that, I don't ask questions sometimes because I don't like to pry...and I subconsciously assume each individual with return the word vomit. It is not because I care less, I just take statements as is. No questions asked!
I really noticed it one night at Piehole when I observed Jason getting to know one of his buddie's girlfriend. He took notice of her eating habits and asked,
"Are you vegetarian?"
"Yes. Why do you ask?"
"Just curious... you said you didn't like bacon and .... haha don't get defensive."
"Oh, I'm not. I guess I just always ask why."
That simple conversation hit me. I don't ask why enough.
Another reason I feel like my communication skills stink is due to interacting with old friends. Sometimes the reunion takes a rough start when you're adjusting back into the groove of each other. And I've had several moments in my head where I pause and second guess the communication... did I sound sincere? were they sincere? was that rude? was I supposed to return the sentiment?
I never feel comfortable returning any kind of sentiment... not because I don't feel the same way but because I feel phony.
"I missed you!"
"I missed you too!" <--- that is SO lame! it's like, I just took your idea and added "too" on they end of it and now it's just as sincere. I think not. Even rewording still makes me uneasy.
"I missed you!"
"I know! Sunday afternoons aren't the same without you!"
Gosh, it's not because I don't feel it... I'm just awkward about it. Let me be the first to express it and then you can add the "too." Problem solved.
Lastly, I wish I had TIME to keep better in touch with pals.
"Want to hang out tonight?"
"Party at BJ's- bring your gf;)"
Really. The latter just makes one a more personal person. And I wish I was.
Tuesday, May 17, 2011
Transition
Thursday, April 15, 2010
Chapter III: An Exercise
Summary:
This section began with an exercise to finally apply all the concepts we’ve been learning about: choose and play with options, be in process, simply notice, awareness, and relax. During this exercise one is supposed to observe their thoughts and feelings and jot down a couple words or symbols for reminders of any memories they could experience. There was a section provided in the book specifically for this purpose. The author stresses to just pay attention and not try to objectively view these observations or justify them. The questions provided in the book to consider were subjects like love expression, physical touches like a hug and a kids, what causes physical pain, how family decisions are made, expressions of sadness, expression of joy, trust, honesty, how men and women are, how smart you are, etc. All these thoughts should be considered while just lying in your home. Participating in this exercise and reviewing the responses after the exercise is complete can help you determine where you are today. The following questions are ones to answer after you have reviewed your responses to the exercise: Does it have value in your life today? Who are you today? Is this learning something that you have altered over time? Is this learning something to reconsider?
The rest of the day will be an ongoing opportunity to observe you and continue to practice the concepts. Remember to notice how you respond to feeling and to people. Are you operating out of habit? Don’t forget to recognize that your gremlin is still present and most likely observing the concepts you are practicing. And regardless, your habits are there for a reason, because of some past experience, so do not feel horrible for having them and feel as if you need to do away with them immediately. You don’t have to modify all of your habits.
This is when your gremlin will try to convince you that habits are essential to your well-being. Be able to differentiate between the gremlin’s “what is so” and what is “make-believe”. Do not fight with your gremlin, just be aware, simply notice, and listen to his chatter. If you fight with your gremlin the chances of you losing is great. And you can only tame your gremlin in reality, not in duality.
Also, after participating in the exercise, the rest of the day you will be more sensitive to your environment and the people around you, your physical body, and your ability to love, perceive, problem solve, create, and even fight. You will be experiencing life at your full potential and completely enjoying life.
Tips for avoiding or defeating your gremlin would be to notice the tension and your responses to these emotions. Is your neck tense? Are you breathing shallow? There might be physical responses that would be easy to observe. Take notes. If your gremlin is busy at work with you, you will feel self-righteous, defensive, greedy, and even evil. Your gremlin will make your attitude towards others unhealthy; like you could be defensive or manipulative. The only true solution to this is becoming grounded and be observant.
ANALYSIS:
The author continues to repeat himself after the exercise which appears to be very beneficial because he is literally writing a step by step process; opposed to just supplying the reader with the tools and saying “Go ahead, go apply this to life!” His approach is spoon feeding the reader everything, but ideal for his intentions of this book in the first place. It is meant to entertain the reader and spell out how to solve their issues. Some concepts need to be repeated for the stage which one is experiencing and the intense emotions that could be present. Even the space provided in the book to take notes is a fool-proof guide to managing ones negative self-talk and eventually becoming able to live life enjoyably.
Response:
At first I thought the exercise idea was lame and that I was too good for it. Haha. But after reading it I realized the thoughts the author wants you to ponder are very beneficial and I did learn a lot about myself and the origination of some of my issues. My dad always curses intensely over silly instances like split coffee and therefore I taught myself not to express anger often if at all. When I am mad, I shut down and zone out. My mom tells life-crisis stories with tears in her eyes, in a very uncomfortable manner, and therefore I will talk about my serious issues in a causal-no-eye-contact manner. And lastly, when I am upset, like crying, worrying over school, anxious for a big event, my stomach refuses to hold anything down or let me eat. One of the most dramatic relationships I’ve ever been in is where we fought all the time and I was constantly upset and therefore I lost a lot of weight.
Personally, I am still learning a lot from this book but the repeating is kind of getting annoying. I am actually beginning to prefer the expert style of book where I may get a bunch of terms thrown at me that I won’t know but at least it will be less repetitive.
Tuesday, March 30, 2010
Chapter Three Continued- "Acts"
This entire section’s objective is to help develop your “act” and understand that you are not your “act”. The author clearly states, “We are all, to some extent, actors.” Some people value acting as a hobby or career but little do people know, everyone puts on some kind of “act” throughout their lifestyle. Whether it is a happy façade or assuming the role of housewife, these acts are natural habits that we create because of what we imagine we need from the world.
Almost every person creates their own imaginary audience which determines their actions and this audience is composed of possibly ones father, mother, boss, friends, colleagues and even enemies. Most of all, front row center, your gremlin is a part of this audience and dictates a lot of the acts of which you do. All of these people who are your audience have an influence over your actions and feelings. This audience can make you happy but they are applauding for the act you are portraying and not for you and who you are. However, this applause will still make you feel good about yourself and at the same time, your toughest critic, your gremlin, will be doing his best to tear you apart and discourage you. These acts prevent yourself from displaying your true self and from letting the real you be heard, seen, or touched.
To understand yourself, it is stated that you must be honest with yourself. How do you want to be seen by others and who are the people you want to impress? Another approach to understanding what “acts” you choose to portray is by analyzing yourself at the beginning stages of a relationship. What do you let your partner know about yourself? What do you tell them? What do people say when you are not around? All humans have developed a different variation of “acts” for logical reasons; to receive what we think we want and to receive what we think we need. This “acting” can be fun and rather harmless as long as you don’t let your gremlin get the best of you and as long as you recognize it as an “act” and not the real you. There will come an instance when you will not perform your “act” up to par and this feeling will leave you disappointed in yourself and empty; this occurs because you give your gremlin full rein.
Sometimes in interpersonal relationships, such as couples, two individuals can perform “acts” together. There is a common general agreement which the author states as, “I promise to help you convince yourself that you are the way you want to think you are, if you promise to do the same for me.” Usually, when couples act together, one partner gets fed up with acting or one partner sees through the other’s “act”. This leads to critical tones, a lot of thoughts originating from your inner gremlin, and putting down yourself or your partner. The upside to this madness is that once the couple recognizes their “acts” they can then begin to establish an intimate relationship and enjoy each other. This intimacy cannot occur without the ability to share your true self with another and the ability to experience and accept their true being. An “act” cannot be in play because it will interfere with your pure self. Removing these “acts”, and barriers like them, will leave you vulnerable and exposed but will eventually lead you to enjoyment and susceptible to love.
“What Is So” is a section dedicated to explaining how you must experience to know what is so. If you are thirsty, one cannot describe the sensation you will experience finally drinking that ice cold water… you just have to do it to understand it. “There is no substitute for experience.” The author then relates this concept back to helping one understand the importance of using each exercise in this book and applying it to their lives and situations.
The author does a wonderful job of reiterating each important concept and sticking to his process. The tone is still teasingly simple but not degrading. The author repeats himself and has a couple punch-lines which reveal an edge in his personality. I continue to enjoy his writing style even though I feel he sometimes exhausts his concepts because he repeats himself so frequently. However, I understand he is attempting to describe complex ideas to the average individual, (or less than average), and repeating is a good strategy to consecrate each idea.
This section continued to be delightfully relatable. I do care a lot of how people view me and what they say about me when I am not present. In fact, a family friend would tease me about how co-dependent I was; caring too much about others. I feel as if I do create this imaginary audience but not only does it exist, it also is a large audience and some people really shouldn’t be included. I also easily put on a different “act” each day for any given situation. I can be the polite proper girl with any superior adult figure, I can be a daddy’s girl, and I can even be that slightly rebel teenager that my parents don’t know of. I know half of my friends and acquaintances in high school, including teachers, did not know the real me just because I knew how I wanted to be perceived by the general population and I knew how to do it. Granted, this was a very positive image not too far from the truth, but it wasn’t me. Perhaps it was the ideal me who I wish I was, but wasn’t.
I also was quite fascinated with the concept the author presented about couples and the act they perform together. However, I would like to believe that I never made this agreement to myself or my partner. Love is seeing an imperfectly person perfectly, and I do believe the author presented a watered down depressing version of that. When in a relationship you are giving your partner all the power to destroy you and all the while trusting them not too; to me this includes accepting my flaws and loving them as I return that favor.
I do know at one point in time, during a transition between my first serious boyfriend and the one following, I recognized all these barriers I had placed between my partner and my true self. I was still grieving from having my true self denied the first time that I was subconsciously protecting myself in ways that I didn’t know were possible. And to this today, my biggest flaw is communicating my upset emotions. I think they are childish and that my partner will deny my emotions as unreasonable and therefore deny my true self.
Monday, March 8, 2010
Simply Noticing- Chapter Three: Part I
(This chapter was quite extensive so I broke down this chapter into two parts.)
SUMMARIZE:
‘Simply noticing’ is a method one can develop by being aware and paying attention. This method does not require asking why because by observing yourself and keeping an open mind, those questions will be answered as one develops this method. To simply notice focuses on ‘how’ one is not ‘why’. In fact, ‘thinking about’ is using those ‘why’ questions and is adverse to simply noticing because these are acts that the gremlin inside of you will use to disrupt your happiness; it removes you from your current experience. ‘Thinking about’ is not creative
By ‘simply noticing’ you experience yourself and your surroundings first hand without direct input from your gremlin and lets you “love and create naturally and fully.” This method is the first step and most important in the taming process. This develops the awareness within oneself which is an essential tool to remain grounded in reality and not become caught up in ones thoughts, fantasies, ideas, and memories. In this ‘dream world’, or as the author refers to it as “world of make believe”, one can relive the past, rehearsal for the future, attempt to make meaning out of what one observes in their daily life, and just to entertain oneself. This dream world is neither good nor bad but it prevents one from directly experiencing life as it is and it is helpful to be conscious of when one goes into this dream world. The book states, “Taming your gremlin does not involve withdrawing yourself from the world of make-believe. It simply involves making certain that you enter the world of make-believe by choice rather than by habit.”
Awareness can be defined and viewed in many different ways but to tame your gremlin, awareness implies to simply notice him at work. Differencing yourself from your gremlin by detecting his presence by becoming relaxed but staying focused. This is a difficult process to master because one must guide their awareness and gently focus their awareness from one thing to another. Breathing will aide this process as you observe the air movement through your nose, down the trachea and so forth. The breathing must be relaxed and not forced; only breathe in the air you want to breathe and do this at a comfortable pace. When attempting this process try not to let the mind and your focus wander but also apply words to this method like ‘allow’ versus words like ‘try’. You must allow yourself to surrender yourself to this method, not try to force yourself to focus. After awhile, switch your focus to your skin which “separates you from all other matter in the universe.”
Being grounded is a simply way to just be, without rules like ‘should’ or ‘ought to, and it another approach to taming your gremlin. This is a powerful reference to focus one’s awareness on the body, the world through the human’s sensory receptor, and the world of make believe. Another method of being grounded is “Now I am Aware” which focuses on one sense at a time: sound, sight, smell, touch, taste. When observing life around yourself, state phrases that begin with ‘now I am aware of…’. This lets thoughts enter your awareness to simply notice and then let them go. The end product of this results in detaching yourself from your gremlin and makes him easier to observe. This is the stage where one can begin to identify him like his shape, habits, concepts, size, and what his voices are or have been.
There are two distinct categories of awareness of habits: responding to feelings and responding to people. Responding to feelings is different from just thinking about your feelings. One can experience physical sensations not mental processes. Feelings can include everything from anger and happiness to sexual feeling and because of developed habits, we attach connotations with all these feelings that sometimes inhibit us from responding naturally to each feeling. For instance one may block anger because it is seen as evil or one may view sadness as a weakness. Due to this stifling of emotion there are possible physical repercussions such as shortening of breath when angry, eating when depressed, and drinking when sad. Body parts may actually feel physical pain as well. These habits range from minor irritations to a complete full-blown emotion. When emotions occur, simply notice them and realize when you choose not to express it and where. Who can you express these emotions to and why can’t you express it. Just observe and learn from these habits, do not attempt to force such change. Also observe your response to joy, sadness, and sexual feeling. These are three common emotions that become greatly suppressed and have bad connotations. Throughout this process, remember to simply notice and “operate out of choice rather than out of habit- operating out of habit will let your gremlin lead you into a state of misery.”
Responding to people are habits which your gremlin has established long ago. Your gremlin is judgmental and stereotyping characteristics in people which cloud your actual experience with preconceived notions. Sometimes these habits are realistic because you will know how to respond to someone in a certain way due to similar characteristics and past experiences. However, the world evolves and is different as an adult then from the perspective of a child, when these habits began to form. Some of these preconceived notions may be suitable and effective but they could also be outdated and take away from ones enjoyment of a certain individual. “As long as you operate out of habit you will limit your ability to enjoy yourself.”
Habits are cemented in place by fear and when you act out of these habits are you remaining in a safe state of security. The quality of life is dramatically affected by habits and people who truly enjoy themselves don’t feel the need to smile all the time. Your gremlin may use lines to keep you stuck in your habits: ‘if you risk changing you will lose all your friends, fail, be embarrassed, and be rejected.’ You feel if you don’t do things his way you will end up alone and in severe physical pain. Throughout this process, just simply notice and do not make rules and force yourself to change.
ANALYZE:
Even though simply noticing, remaining grounding, and being aware seems like a flimsy approach to taming your gremlin, it logically makes perfect sense. The overall theme of this chapter appears to reinforce the idea that one cannot force themselves to act a certain way or stop being and doing who they are. Forcing a change like so is just as destructive as the gremlin and will also limit their enjoyment to life. This chapter is all about realizing how you act and then noticing why. The author tends to repeat himself in each section but as a result, all the concepts presented are intricately linked together and build as the methods and processes are developed.
RESPONSE:
This chapter made a lot of sense to me and how I function. I didn’t realize that I do find sadness as a weakness and I generally cannot cry in front of someone who isn’t family. I also have always had this weird emotion with my boyfriend; whenever I feel as if I am being shafted or neglected at that present moment my hands will throb. This sensation never happens with anyone but the boyfriend. This is also my first big signal when I am emotionally invested in a certain guy which generally occurs past the sparkle stage. This has occurred since the 8th grade and with four boyfriends which each relationship had lasted at least six months and two relationships went beyond the one year mark. Currently I am single and once again I have been seeing this one guy in particular and literally while reading this chapter my hands began to hurt as I attempted to talk about a serious issue and he causally switched the topic. I discovered that my hands throb when I am not expressing my emotions towards him but I naturally don’t feel comfortable expressing these emotions because I have classified them as “childish and annoying”. Through developed habits I have built this shell around me where I do feel safe and protect myself from the unknown. My last boyfriend worked with me to break down this shell and by the end of the relationship when he did something which made me upset, I felt comfortable breaking down in front of him. Realizing this shell does exist made me want to begin to destroy it because it is not my partner’s job to make me function healthily and correctly respond to my feelings. I know this will be a long process and I am so willing to destroy this shell by myself because I did enjoy not having it in my last relationship and as a result, I know I am not forcing the change that this chapter stressed not to do.
